The Color of Magic

This very odd book is rather fantastic.

The story follows Rincewind, an "incompetent" wizard who only knows one spell, that's so powerful he doesn't dare use it, and Twoflower a former insurance clerk, now bumbling tourist who wants to see everything there is to see on the other side of Diskworld including tavern brawls, pirates, heroes, dragons, magic spells, and everything else that he's heard of from the docks. Oh, as well as Twoflower's luggage chest that walks on its own with about a hundred legs, and Death, who is spotted quiet often and is quite a character.

This book is a very well thought out Dungeons and Dragon's campaign (rolls of the dice included) with the most entertaining characters.

Terry Pratchett's writing style may not be for everyone, which is understandable because the way it describes things is rather obnoxious but in a humorous way. There were times when things happened and I had to go back because "What just happened?" As I said, it may not be for everyone but I laughed out loud and nearly fell over while I was jogging because of the way things were said or the weirdness of Twoflower.

I think the world that Terry Pratchett made is unique yet still has the basics of "typical fantasy." Magic, the Gods, Death, and pretty much the universe has been warped and changed to the delight and curiosity which is Twoflower and us as the reader. I mean, what fantasy world has dragons and jet planes? You tell me. ;)

While I was looking online a bit about this book, I found out that it is also a movie!!! WHAT!?! Starring Sean Astin, David Jason, and Tim Curry... I about died. The movie, I believe, is based on The Color of Magic and The Light Fantastic. The rest of the Disk World series and lore might be in it too, but because I haven't seen it, I don't really know for sure. I do plan on finding out though, just for a laugh because I'm sure Sean Astin will to a phenomenal job as the ridiculous tourist.

Wow.

A Spy's Devotion

If you're looking for a light reading and okay with a dose of cheese amongst the pages, then this one's for you.

A Spy's Devotion is about Julia, her extended family, and a recently returned and injured army Captain. Julia is an orphan that has been taken in by her pompous aunt, aggressive and angry uncle, and spoiled cousin. She has always done her best to stay back and support her cousin in every avenue she decides, and right now that is to help her gain the affections of Mr. Nicholas Langdon, the talk of the Town. Throughout the course of balls and dinners Julia and Nicholas find out, rather early on, that her uncle is a nefarious man who intends to assassinate important generals in the war with France. Julia is now tied between helping King and Country and not hurting her family and their interests--both of love and of money.

In my opinion, it was okay. There were parts that were extremely cheesy and, for those who've done the research into the Regency Time period, somewhat technically unbelievable. Small things, but they kind of irked me. The ending was also much longer than it needed to be. They could have wrapped things up a good seven chapters earlier without needing the trip to the Athertons or past loves coming into the story needlessly. It elongated it and didn't seem to be needed except for her to write her letter to him to tell how she truly felt. Yes, we get that being a governess is not the most amazing job and that there are many trials that come from it, but we got that with Sarah's "adventures" and letters. I feel we didn't necessarily need first hand accounts.

I think the characters were different enough to be distinct, but some of them I felt were simply stereotypical. Some of them had the same exact interests as similar characters from Jane Austen's books. Udolpho which is a rather scandalous novel from the time period. Even Julia is an orphan with no money to her name and is forced to live with angry/obnoxious relatives who are beyond wealthy (everyone is beyond wealthy here, making triple of what Mr. Darcy makes in Jane Austen's books and Pemberly is huge!). Ms. Dickerson pulled a lot, probably too much from Jane Austen and Jane Eyre.

If you want a regency book with a simple thrill of spy-ness, go for it. I wouldn't recommend this one very highly though.

Stepsister

Stepsister is a story of what happens after Cinderella and her prince glide away to their castle and "live happily ever after."

Isabelle cut off her toes to try and fit into that slipper, her sister Octavia cut off her heel. Now they are known as the ugly stepsisters and are somehow supposed to still function in their village society. Not only do they have those repercussions, but there is now a war going on that is infiltrating their part of France and Fate and Chance are fighting for her life, and on top of it all, Isabelle wants to change. She wants to be better and the whole world is literally crashing down on her. Can Ella's fairy godmother help even an ugly stepsister like her?

This is a big time "girl power" book. For people who like Tamora Pierce, you will like this. This book contains many themes and morals to the story all trying to empower women and empower self in general. Finding yourself and being okay with yourself, especially when it may go against what tradition or society dictates. I'm sure many young women and young adults enjoy this book and can feel motivated to do more by reading it.

I very much enjoyed the characters and how different they developed. Though, now that I think of it, it seems like the only people who really changed except for Isabelle... So that was lacking a little. But over all they were fun characters to read about. Chance is probably one of my favorites. Jennifer Donnelly could have a lot of fun with the Grimm Fairy Tales with Chance and the Fates. And because of how well this one was written, I'd read them too.

I thought it was well done. Read well. I don't have really any problems with it, except that some might think that it was too preachy to the "girl power" side. But because it had basic self-empowerment, I can let it slide and happily enjoy the book.

Revelations in Context

A book in the published by the Church of Jesus Christ of Latter-Day Saints, Revelations in Context gives background stories and circumstances behind the Sections, or chapters, in the book Doctrine and Covenants.

There are many wonderful, insightful, and helpful sections and scripture verses in the D&C. It explains many doctrines that Heavenly Father and Jesus Christ want and need in the Church to help it function. This book give context to those revelations and more background to the people they were given to.

Each specific chapter in this book is written by a different person. Individual historians have studied and produced a simplified explanation behind what was going on at the time these revelations were given. They've dung into historical record and letters to get the true stories behind the questions asked. In each section heading of the D&C, we are given a brief explanation as to what is going on, this gives a much deeper, yet still simple, understanding of the circumstances the early Saints and pioneers faced.

I think it is a good reminder that Revelation comes step by step, little by little, here and there as we ask for it and as God deems us ready for it. There are times when people aren't ready for the changes that need to be made, so time is taken, challenges and trials are given, so then people may be ready. Some changes may seem stark and abrupt, other changes we might see if we are attuned and diligently study the works and scriptures and doctrines we are given.

It is an intersting read and if you're wanting to dig into history a bit, read on.

Entwined

I picked this book up years ago and after reading through the first couple of pages gave it back to my local library (go support your libraries, ladies and gents. It's worth it!). I knew I wanted to read it again or at least give it a try, but when my library was "weeding" the books they were going to get rid of this one. So for $0.50 I snagged it, hoping I'd get to it eventually. Well, I got to it eventually, lol.

This is a fairytale retelling of the Twelve Dancing Princesses. Azalea is the eldest of eleven princesses whom she loves and takes care of while their mother is deathly ill. Their mother is pregnant and sick and on the night the youngest is born she dies. The girls and the King grieve in different ways, but all are subjected to mourning for a year. Merry Christmas, everyone. The thing that the girls love most is dancing and because of mourning they are denied this. They get scolded and reprimanded for sneakily doing it in defiance of their father, knowing "Mother would have let us do it." The castle they live in is a magic one and they find an enchanted room in their fireplace where a man with magic has been imprisoned by the same magic he uses. He invites them all down every night to dance and enjoy themselves. They greedily take the opportunity. Between arguments with their father, grieving over their mother, being forced to be alone in mourning, and the occasional "political business" where gentlemen would strut around trying to entice the princess into political marriages, they dance.

I really enjoyed the ending of this book. The beginning was a bit cheesy, which is why I didn't get very far the first time, and the middle was a little elongated more than it really needed to be, but the ending was very well done. Highly intriguing and engaging where I finished the last 200 pages in a day--where as I somewhat struggled picking it up in the middle. It was worth it in the end. I'll definitely be keeping this book on my shelf and will probably read through it again later.

The driving force of this book was more to do with Father/Daughter relationships more than "I love this boy" which is different than most YA books out there. Yes, there is romance, but moral of the story is family. They learn to grieve together and it's not something that happens over night. That build up of Parent/Child relations is what took the middle of the book so long. It was needed and important for the end, so I'm glad it was there, but it might drag a bit for some. Family is first. Loving family first where boys and potatinal marriages are second. Different and good.

There is a struggle some authors have in keeping different character (especially lots of different characters) separate and distinct. Heather Dixon does a good job with this. All the girls are flower names, but they are all in alphabetical order so then we as the reader can at least guess as to where they land in age. Azalea is 17 or so all the way down to baby Lilly. We can keep them in order because of their names. There are also a lot of gentlemen who come and go throughout the story and, through their names as well, we are able to keep them separated as well as given a bit of their personalities. Lord Teddie is rambunctious, Lord Bradford is practical and a good political while still being kind, Lord Fairweather is constant and stiff. Names and personalities here were well straightened out for the most part, which is hard to do with so many people.

The setting was fun, and the magic in the world was simple, yet different. The large portion of magic at the end, the climax and resolution of it all, was set up well enough but there was one part I had a problem with due do lack of explanation--which gave its excuse of it possibly being "Old Magic" therefore mysterious. Slight cop out, but I guess it works.

The only thing that I can complain about is the slight cheesiness of the dancing toward the beginning. It got better as it went on and it might have to do with the fact that I'm not a dancer, really, and don't get the fascination so much. Good for them if they do, but it was kind of cheesy to me. The reader can get over it and it's not so bad, just push on and it gets to be better.

In the end, it's a really good book. Heather Dixon did a really good job at portraying this story which often gets over looked for other "princess classics." Read it and enjoy.

The Girl on the Train

The Girl on the Train is a National Bestseller and supposedly pretty good. I somewhat disagree. I can see why people would like the book, I however don't care for it.

The book is about Rachel who's had a mental crisis and is trying, very poorly, to function. She rides the train to work every day and at a particular stop, she watches this couple whom she deems perfect. They must have the perfect life. She's fascinated by them because her life has gone down the drain since her divorce to her cheating husband. She does drink and often blacks out, not being able to recollect anything whiles she's drunk. Megan who is spotted having an affair. And lastly, Anna, who is the woman Rachel's husband had an affair with and is now currently married to. Megan is suddenly found dead and after a drunken blackout, Rachel is trying to find out what is happened on the night she can't remember. Did she do it? Did she see who did it?

This is the story with a very unreliable narrator. Rachel is on the verge of mental snappage which makes her testimony hard to find solid footing in, which is a way to make this fun. Unreliable narrators bring twists to the story that otherwise wouldn't be there or it wouldn't be nearly as fascinating. This was the point that drew me in and kept me wanting to listen.

However, I didn't finish the book. It had a few too many and strong swear words for my liking as well. It was also more dark than I really wanted to read. I don't get drunk, I don't drink at all. I don't find it as fascinating as others might. I don't have a point of reference for it, not that I really want one either. Then there is the concept of affair this and that and having it constantly swirling around the page. I don't read for that. Getting cheated on isn't something I like focusing on. To have it be so constant, has put me off.

I'm sure it's a good book, for other people. Not me.

If others don't mind the concepts that are very prominent here, then they would probably enjoy it very much. Have at it. It was written well with good characters and an interesting concept. It's just not more me.

Girl in the Blue Coat

World War II stories are hard to read at times. This one is no exception.

Amsterdam, 1943. Hanneke (the audiobook had it sound like Hanika) works in her own little way to resist the Nazi occupation by being a black-marketeer in finding things that people need. But suddenly one of the ladies she normally finds things for has a missing girl that she wants found. Only this girl isn't supposed to be there. She is a Jew and has somehow vanished. She can't go to the guard, obviously, or other authorities, so how is she going to find this girl in a blue coat?

This was a very well done piece. It was written well and kept me very engaged the whole time. While Hanneke and the rest of the characters may be fictitious, the actions and events were very historically sound. The black market, the college resistance fighters, the theater and nursery across the street that helped save hundreds of people who would have died... These are all amazing things that Monica Hesse has portrayed beautifully, realistically, and powerfully. I very much enjoyed this and am even more interested in the other stories Monica Hesse has written.

I enjoyed the characters and how they felt lifelike. There situations and reactions to their circumstances were real and made me worry for them more than I worry for many of the other characters I read about.

I think Monica Hesse was a very brave woman to end the story the way she did. This is war and wars often down have happy endings for everyone involved. The ending was fulfilling and the focus of the story was different than most would suspect, which is also a very brave move for the author to do walking the fine line between what the plot needs and what the audience wants or expects. And I think she pulled it off well.

Good on you Monica Hesse. It was a very good book and one that I probably wouldn't mind reading or listening to again.

A Great and Terrible Beauty

I've had this book for years and only finally was able to read it. And I have mixed feelings about it.

in 1895,Gemma witnesses the murder of her mother, the murderer was some kind of shadow. How can she explain that to anyone? Months pass and she is sent to live in an all girls school and learn how to be a lady and curb her boisterous tendencies. Making friends is hard and making enemies is far too easy. To top it all off, shadows and ghost stories haunt her. She finds a diary of a girl who used to go to the same school and saw the same things she did; this girl had the same odd powers Gemma seems to be acquiring. What is is going on and who is the strange boy who followed her from India all the way to England?

I really liked the historical representation that was depicted her. A life of a lady was not an easy one and many felt silenced and purchased for potential wedding contracts. The idea of "lay back and think of England" instead of making love to a spouse is one of the many ways that this is shown here--nothing graphic though I guess there is some nudity which is probably unneeded. The idea of being a quiet, proper "lady" is very prominent and has many of the girls feeling stifled. So before all of their independence is snatched away they will occasionally do things that would get them in serious trouble if they are caught: necking is a gypsy boy, stealing the priest's wine/whiskey reserves, getting up at all hours of the night, going into the woods for meetings/gypsy fortune telling/whatever else. Then Gemma introduces her strange power to some of the girls and more craziness happens. But the idea of being stifled, silenced, and putting on a fake smile with even worse conversations only about "the weather and the queens health" was something that they had to deal with back then and now too in some instances though not as dramatically. It's sad and Libba Bray portrays that very well.

I think the characters were well developed and each was different and developed enough that I understood. I enjoyed learning about them and at times I felt very sorry for them. The characters were a very strong reason I finished the book.

That being said, I almost didn't finish. I am not an occult fan. This had a feel of the Salem Witch Trials to me, tarot cards, talking to the dead through medians, sacrifices to give black shadow/spirits power, and other witchy things was turning me off for a lot of it. I don't read it, because "bad ju ju feelings" are a thing and I don't need it around me. I did finish it though because the plot was very good. It was a very engaging read that had me turning pages quickly. I finished it in less than a week.

It is a good book and written very well. The reason I gave it a four instead of five stars would be because of the occult theme and the fact that it got a bit darker than I wanted. I can see this series being a good one that has many people very engaged, but as this moment I'm not going to be picked up the next one, sadly.

The Wrath & the Dawn

The Wrath & the Dawn is first in a series with the same name by Renee Ahdieh.

It is a retelling of the classic Arabian Nights story where the Caliph marries a new girl every day and every dawn has her killed. As to why is normally unknown. Shahrzad (Not spelled the traditional way), instead of running away, volunteers to become the Caliph's bride even in fear of the dawn in hopes that she can kill him for killing her cousin just a few mornings previously. She hates him with all her heart and wants to seem this boy-king dead. In order to do that she has to stay alive past the dawn, which she does by leaving the Caliph "hanging" with cliff hangers to the many stories she tells that last all night. He won't kill her, she thinks, if he's so intrigued by her stories and wants to know the end.

I listened to this as an audio book.  The reader, Ariana Delwari, did a spectacular job. She has a very nice voice and one that I wouldn't mind listening to again in future audio books.

I will say this, though, that my review may be a bit hindered by the fact that it took me a few months to complete the series. Not that it wasn't a good book, but time is an issue as well as the one big critique that I have to give... Shazi is so very annoying at the beginning. She irritated me badly with her mood, tone, and all out "Imma be ticked off and I have no redeeming qualities because REVENGE!!" It got very boring really fast and she has the same idea and stigma for a good third of the book (or so). I was more than happy to have her kiss the Caliph and actually start liking him.

The love triangle thing going on between her, the Caliph and her past love was kind of obnoxious. It took away from the traditional stories suspense of surviving to the dawn and the artful way of keeping the crazy king intrigued, and slid the in a rebellion, magic, and "I must save this girl who doesn't actually like me anymore because she likes the guy who killed her cousin." I didn't care for the past love interest. He was hot headed and seemed to only have a one track mind without thinking of repercussions. He didn't even think of Shazi's feelings on the subject, and every time she yelled at him to stop he wouldn't listen--killing some of her friends that she actually made in the palace. No points to you past love interest.

And one other thing, maybe because it was an audio book and not me reading it off the pages, but I had a hard time keeping some of the name in check. Shazi = main character, Khalid = Caliph, Jalal = kings cousin and captain of the guards?, T guy = past love interest, Despina = Shazi's maid servant and friend in palace, but pretty much everyone else's name got muffled in my brain and I had to rely heavily on context clues, which I didn't get all that often. With story names--which stories didn't last very long as plot points--as well as "irl" names, I got very confused.

The book did seem to flow well and the plot was constantly moving which was nice. Part of me though feels like it had major dollops of "Beauty and the Beast" put into it too. She goes from lots of hate and disdain to very much in love with him and tries to tell off the love from her past/Gaston-ish who would get slaughtered by the Caliph/Beast. While it flowed, I think there were many cliches for the YA market. There wasn't much that was "different" to really make it exciting and make me want to read it again. I might look at a Sparknotes for the second book, but I don't think I'll take the time to read or listen to the next one.

It was good for what it was, a retelling of an old classic put into YA form. It was written well with enough setting to keep us from the dark, though not much more than that. I liked Jalal, he was probably my favorite character and would have liked more of him, but he is obviously not the main character. Some of the others I didn't care for as much.

If you're wanting a simple, "traditional" YA read, feel free to pick it up.

Sense and Sensibility

Jane Austen's first published work Sense and Sensibility has been read over and over again for more than 200 years. It is a classic that has been loved and survived the years because it's a good book full of vibrant characters and an engaging story.  

After the death of their father, Elinor, Marianne, Margaret, and their mother are forced out of their home to live in a cottage in a different county while their half brother and his wife take over the family estate. Their time in this cottage, making new acquaintances and enjoying the countryside, is quickly changed to lovestruck conversations when Marianne is saved by a young gentleman and love blooms. For Elinor though love is a trying thing when she learns that the man whom she admired is in love with someone else whom she also is acquainted.

I think this book has stood the test of time, unlike many of the other romantic stories of the time, because it hits home more than some of the others. The things that Elinor and Marianne deal with, loss of father, home, loves, sickness, surviving monetarily as well as plain surviving your family relations and acquaintances. These are things that we all struggle with at one point. We read things that are often similar to our own lives via theme or circumstance. Sense and Sensibility does that, even to today, which is fascinating. There have been many critics, papers, articles, and readers of this book over the years and if you search them out can find a lot of enlightening information and opinions.

I like the play on opposites that is presented here. Elinor is the sensible one in the family (rather logic based) and Marianne is full of sensibilities (and can often let her emotions run rampant). Willowby vs Colonel Brandon, The Ferrar's brothers, John Dashwood vs Sir John Middleton, even the rolls that men play vs women and how they are portrayed (hunters vs mothers). The way Austen plays with opposites is engaging and can be thought provoking.

The characters, though, aren't only opposites of one another, but they are their own people. They aren't merely a stereotype but do have their own personalities and quirks that make them unique.

This, again, is an older book. Classic for a reason, but not everyone's cup of Sleepy Time tea. It's language is different and more wordy than what present novels give. There were times when I needed to put it down because my head was starting to ache or I couldn't pay attention because of how the language was constructed. It is what it is. I also have the Oxford World Classics edition which honestly read more like a textbook than a novel which might be published in a different format. But it did have a lot more insights, critiques, and definitions which were very much helpful and fun to look up without having to go very far. It also had a good introduction by Margaret Anne Doody who has done many other critiques and papers for the Oxford World Classics company. Again it was very enlightening to aspects that I didn't see my first "read through" during college. In the end, be forewarned that it is older, wordy, and "harder" to read for the "modern" reader.

Read it. Enjoy it. Take it slow if you need and please go and find articles about it. They can be very enjoyable.

Be Prepared

Be Prepared was a cute little story about the trials of a ten year old misfit.

Vera doesn't really fit in with all the rest of the girls in her neighborhood. They are more wealthy, they have both parents, and they don't come from Russia. She moved to the USA when she was five, but the rest of the kids don't get it. They invite her to things, but she still feels like the outcast. During the summer they all go off to their own camps and she stays at home, until she finds out that there is a Russian kids scout camp. After some begging, her mom lets her and her brother go the following summer. Only summer camp isn't what she expected it to be. She finds that it's more of the same. She's the youngest in her troupe, they are all already friends and have known each other for years, and she's very much alone. Invisible. This is where she was supposed to find friends, so where are they?

It was a well drawn true-mostly story of Vera Brosgol's time at camp. She even has some of her letters and pictures from her time at camp. Vera is also the author of Anya's Ghost, which I didn't realize until I read the author bio.

I think this is a very potent and prominent story for many people. Trouble with friends is always something hard and pretty much everyone goes through it at some point. So it touches many people right in the hearts.

I think many people would enjoy this simple, well depicted story. It might even be one that I'd put on my bookshelf. Eventually.

The Watson's

I have learned now that it is important to read through all the introductions first in a book. They can be very helpful.

When I came across The Watsons at the end of my Northanger Abbey book, I started reading it just as I did Lady Susan not realizing that The Watsons was an unfinished work, almost along the lines of a blip from one of her other stories.

Our main character is Emma Watson who is invited to go to a Ball by a neighbor. She is set apart by her family as she looks over her invalid Uncle and doesn't get out much. She is given a diagnosis of the people going to the Ball and told whom to look out for. She is given offers to dance, seen by many, and gets the basic notions of those around her. There are visits after the Ball along with her family coming into town and trying to get her to come back home instead of enjoying the solitude and pleasant companionship of her Uncle.

It is only about forty pages and doesn't have much in the way of extended plot, but, as I said earlier, it's not finished. I think someone described it as a scribble. There is definite possibility for this story, and it resembles a bit of Pride and Prejudice in some aspects, but it is it's own story.

I found it very funny that the main character's name is Emma Watson, though I'm sure the actresses parents didn't know about this story. It made me happy. As for the other characters, there were so many in such a short period of time that it was hard to keep some of them straight. Few had solid characteristics in my mind that it was hard to keep many of them separated. I would have liked to read more about this particular story, but, alas, no such luck.

I did really enjoy one part of the story where the gentleman who would, if the story went on long enough, and Emma sat somewhat awkwardly in silence and talked some. It seems to be that that particular part might have been the founding part of this short story. It fit well and made me smile. Jane Austen has it well written, all of the story, but this part had that extra bit of "umph" to it that made me rather like the story and want more.

One other thing that I did struggle with, and it might just be that I have an "older" copy of the text is that there are sometimes four to five pages of text without a paragraph break. Pages full of conversation that has no breaks for the mind. This, I believe is only on my Oxford World Classics edition (that had awesome footnotes and explanations about the times) that had it that way. If I were to read it again, I'd go for a different edition, one that made it easier to read.

Miss. Jane, you need to "have an affair with the tab key." ~Mr. Bradley

Northanger Abbey

Upon reflection, I realized I haven't written about Northanger Abbey and how much I thoroughly enjoyed Jane Austen's first written novel, thought it was published after she died in 1817 alongside Persuasion.

Catherine Morland was not born to be a heroine. That is how Jane Austen starts it. She isn't particularly pretty. She isn't super accomplished. As she grew, she started to love novels and reading. But being born out in the country, she didn't have much in the way of possible social interactions which is what a young girl in her station needed in order to find a good husband to marry. So, joining a family friend in Bath in hopes of finding that social interaction, she runs into a boy--well, man--who seems shrouded in supernatural mystery. Or maybe she's reading too much into his family secrets. Mr. Tilney isn't the only one looking to become better acquainted with the somewhat naive Miss. Morland as well. Love and potential Gothic encounters are in the air. Or maybe she's reading too much into all interactions.

This is one of my favorite Jane Austen books, so much so that I wrote my under-graduate thesis on it in college. Jane has her satirical fingers all over this book as she's poking fun of the Gothic novels that were circulating around her in her teenage years, when she started to write. Catherine reads these types of books and when presented with Northanger Abbey, which is Mr. Tilney's family home, she can't help but imagine secret passageways, diabolical schemes, ghosts, even vampires that reside behind each fluttering curtain. Jane Austen was critiquing The Monk, The Castle of Otranto, The Mysteries of Uldolpho (which she names specifically) and many others (none of which I've read). She pokes fun of them all because, in her opinion, they are kind of ridiculous.

I love the fact that Catherine isn't really the heroine of her own story. It says she is and it is her story but she doesn't save the day, she didn't solve a mystery (maybe I could give that one to her, but I probably wouldn't), she wasn't taken captive by a roving spirit where Mr. Tilney had to come and save her from a fire that the ghost started. No fainting spells, no vampires, no vindictive vendettas she needed to evade, or whatever. In part, she nearly lost it all because her imagination was wild and got the better of her.

Catherine and the rest of the characters are fun. Jane Austen is really good at making her characters human and realistic. Even though her writing style is older it works and stands well against time. Honestly, not many can do that well. They are human with fault and problems, with family who are sometimes the problem, with tempers, and schemes for marriages, for wealth, for love, for stability and survival. Jane Austen took the situations, and sometimes the people, around her and gave them to us to see. One could say she gave a big portion of the truth of Society to Society. (It kind of make me think of The Help by Kathryn Stockett. Such a great book.)

I think the biggest hang up that people have for this is the older writing style of Jane Austen's books. Modern minds have to take a second and slow down to actually think about what is being said instead of having the language be as simple as it is today. It's like they have to adjust their eyes and minds to the colorful words.

Lady Susan

Jane Austen is a well known name for many of her works. Mainly Pride and Prejudice, Emma, Sense and Sensibility, &c. but there are some of her works that people don't know. Lady Susan is one of those, though it has risen in popularity though people may not know it.

Lady Susan is a story written in letters between the different characters about the flirtatious whims of Lady Susan. After making a quick leave from friendly relations, she imposes herself on her brother and his family for a time. She is an expert in the ways of speech and a ridiculous flirt. Mrs. Vernon--Lady Susan's sister-in-law--after being invaded by this woman with a sour reputation, has a full house when her brother, also a lover of flirtation, comes to meet her and have lively conversation. But then Lady Susan starts captivating the young Mr. De Courcy. She has snatched away his sense and has him completely wrapped around her finger. Other characters are introduced that shed light on Lady Susan's character, or lack there of, which characters include her daughter and a certain Mr. Manwaring and Mr. James. People all around her can see her intentions and falsehoods, yet are still bewitched by her words.


This story has recently been retold in the movie adaptation "Love and Friendship" (Not to be confused with Jane Austen's satirical story "Love & Freindship," which is also funny, but different). I think Kate Beckinsale did an amazing job at this proud, rather obnoxious character.

I think Jane Austen did an expert job with the letter writing between characters. It gave enough information to not lead the reader astray, but also make it feel like they were letters to friends or family. There was even voice change, even slight at parts, between the different writers, which (as a writer) was fascinating.

I really like the characters. I like they they are a family that has to work through a family problem and that this story doesn't have a "we fixed her and she's not who she was." There is no way to fix Lady Susan because she doesn't think she needs fixing. She is insufferable, but she doesn't think so.

I like how this also shows Jane Austen's humor. Honestly, how many people were writing books like this where the title character is willingly being a lover to a married man and thinks its the wife's fault, and writing this story at the turn of the 19th Century? I mean this two decades before the Victorian Era where they were the most prude and proper society. Twenty years, that's not a lot. (Yes, I know Shakespeare made fart jokes, let us move on.) That is not what we think of when we think Regency, not initially any way.

It is a great read. A short read comparatively, though it comes from a different age. Therefore, writing style and wordage's are different. (Similar to the Hardy Boys, The Belgariad, and Shakespeare.) That change in age can take some getting used to, but once you do it flows so quickly. I love it.

Enjoy the book. Watch the movie and enjoy that too.

Tuck Everlasting

Tuck Everlasting was a book I originally read in my 5th grade class and in all actuality is probably the first chapter book to read in class that I actually enjoyed. I haven't read it for years but I found that I still loved it.

Winnie Foster is a girl who is stuck in the moment of sameness. Nothing changes for her in her life, with no friends because she is to proper, to clean, and practically confined to her yard. The only conversation she gets is from a toad that sticks around her yard. So not much conversation, until a man in a yellow suit comes by and asks about a peculiar family that she doesn't know. One day at the top of summer where it is the most hot and nature stands still from heat exhaustion, she decides to run away. She gains the courage to step outside her fenced yard and starts traveling through the woods her family owns when she stumbles upon a boy drinking from spring near the base of a tree. What she is about to find out is that he's part of a family who can't die. She gets taken away to have the situation explained to her, but wait... did she just get kidnapped.

It's a sweet book about kind people who have found the meaning of death, in a not gory or creepy way. I very much enjoyed the book, even as an adult.

I love the way Natalie Babbitt used cycles and circles to convey the metaphors, morals, and themes throughout her story. They were well done and well thought out. I also very much love the characters and they are all so human. Setting was well done especially for the fact that this books takes place, for the most part, in two days. It was set up well.

I honestly don't have any faults in this story. Any major disheartening or dislikes or major troubles.

It's a good book that deserved its rewards. It also has two movie adaptations (one in 1981 and the other in 2002). I very much enjoyed the portrayal of the book done in 2002, though there are differences for exaggeration, but they were fun concepts that were played with. I'm gonna be watchin' it soon.

Please, read it. Enjoy it. You could probably finish it in a day.

The Tower Treasure

Nancy Drew is awesome. Female sleuth, solving mysteries, simple reads that can help people get into the genre. Always good times. What goes right alongside Nancy Drew? The Hardy Boys, of course!

I hadn't ever read any of the Hardy Boys books, but had grown to love the characters in Her Interactive's Nancy Drew PC Games. They are great mystery (point and click, for the most part) games starring Nancy with help from her friends with the Hardy Boys as occasional guest stars. They were so fun to play with/as and I found that I loved them as characters. I needed to read these books! So I picked it up for my son and I to read, though HB books for a six year old is maybe too young. *shrugs * I enjoyed it anyway.

The Tower Treasure is the HB's first mystery. It begins with them almost being run off the road when a crazy driver wizzes by a few times. They come to find out that robberies have been happening all over their little town and it seems to be done by the same man. When their friend's car is stolen they start their investigation off seriously to find the missing vehicle. They receive threats, find a few dead ends, get their "gang" to help as well as the police and their detective father. But it isn't only grand theft auto they are worrying about, the Applegate's--a very rich family in town--have also been burgled with jewels and other things missing from the family safe. Mr. Applegate suspects one of his employee's but the HB's are convinced the man is innocent. Can they find the crook? This is a real caper.

It was a nice mystery that I finished in two days. Clean, cut, ironed and pressed all with a sandwich for the road. Done in the late 1920's, it is simple and proper as expected and delivered.

There isn't really anything wrong with the books, especially because they are meant for a younger audience. There is the definite slang of the time: "swell," "rap" (as in knocking on the door which I guess is still technically okay, but who uses "rap" now a days?), "bucks" instead of dollars was considered rude ("not in this house"), and a few other ones I can't think of off the top of my head. It was funny and kind of shocking, though obviously not in a proverse or scared way. Just unexpected, though it was stupid of me not to.

The thing that I didn't like was the portrayal of girls and women here. The friends who are girls  or who are presented here are always shocked and don't do anything. When their father gets arrested and they find out the girls dramatically clutch their throats and their mother faints needing her smelling salts and medicine. Even Mrs. Hardy is depicted as only cooking, constantly making sandwiches, and either worried or proud and the situation calls for it. Part of me, though, was surprised that Mrs. Hardy was around and mentioned. Even in Nancy Drew, Nancy's mom is dead. Though a lot of Mrs. Hardy's time was making sure her boys were fed. I guess that's what mom's do, feed the family, but I know that's not all I do. I wish she was given more of a personality than cook. Very much playing on stereotypes all around. Mom's, fainting girls, hobos, and other stereotypes. Those were very prominent.

Though, many of the characters were very simple, almost flat. There was very little difference between Frank and Joe where they could have been the same person, which was rather disappointing because in the PC games they were very different. This could be that this is the first story and it is a simple mystery focused on the mystery instead of the characters. The same thing could be said for the setting. There was very little description actually given as the story developed.

I'd be interested to read some of the other books, though I might not read then in the publication order. Just to see how far the boys develop.

Good book for younger kids, though maybe not a six year old. Lol.

Enchanter's End Game

The last book in the Belgariad is Enchanter's End Game. This is a very quick paced book that I finished in only a few days.

Garion, Silk, and Belgarath make their way across Gar og Nardak and to Mallorea to defeat Torak at the same time Ce'Nedra, Polgara, and the other Kings of the West march on Mishrak ac Thull to then get their boats to the Eastern Sea so they can take out Mallorean ships full of enemy soldiers. Battles commence and David Eddings' does it pretty well.

Eddings was able to have all of the many characters work well together and have sound endings and battle sequences. People they have met, even way back in Pawn of Prophecy, make appearances and have grown up/stayed the same (as needed).

Although this is the conclusion of the series, it still lets people have their bits of final growth that they need to complete their character arcs. Most of the building has happened in the previous books and so it's able to be more plot based, as opposed to the character and culture driven motives Eddings had in this world exploration--though obviously there was a wider overarching plot throughout.

Enchanter's End Game is very much based on moving armies and fighting battles, which in my opinion is fine because we have very solid characters and now he's letting them do their own thing. He's letting them finish out the story as it is needed to be.

I really like the big final battle with Torak. We know it's coming and we've known it since the beginning, pretty much. And I wasn't disappointed. Eddings set it up so then we understood the trials that Polgara would have--though the curveball that was thrown in caught me off guard the first time even though there was foreshadowing in PoP *wiggles eyebrows* --Torak's intimidation factor was brought and done well, and we got to see how most everyone was needed there. I'm still struggling with Ce'Nedra or Errand's part at the end and what important role she needed to play there... but everyone else made sense and fit well with all of the Prophecy. It was a nice bow without it being "bad." I do also like the good vs evil parallels. It was well done.

I have loved this series since I was in early high school and still very much enjoyed it. This series is a good one for beginning fantasy readers or those who are looking for a simple, light read. It is an older series, published in the 1980's and some may say that it doesn't transition well into the present. I can see why they would say that, but it is still enjoyable. Things happened throughout the series where it could be registered as a cliche or a troupe but it's not because it's from the classic season of fantasy which made the cliche before they were cliches. (I hope that makes sense.)

In the end, I've enjoyed it and am glad I got them. When reading them, keep in mind that they are from an older generation and to come at them as you would to Charles Dickens or Jane Austen or even Tolkien.

Bloodline

This has been the first time in a long time that I've read anything by Covenant Publishing. It is an publishing company associated with the Church of Jesus Christ of Latter-Day Saints. It is a publishing company that focuses on producing clean, engaging stories that are pretty much PG-13. It keep profanity, bedroom scenes, and gore to non-existent which can be nice when readers are wanting simple clean stories.

Bloodlines is about a girl named Skye who, upon arriving home from her flight attendant job--where she got saved by an attractive Scotsman from nearly getting run over, finds that her aunt has gone missing. She receives mysterious notes, emails, and calls to go to a safety deposit box and find the "other two missing pages" otherwise her aunt is going to die. She's gets to the deposit box and finds this ancient piece of paper with Old Latin words that she can't decipher. Over the course of the next hour she gets guns pointed at her, is practically kidnapped herself, and is saved again and again by this Scotsman who often appears out of no where. Upon getting help from an elderly professor, the Scotsman, Professor, and Skye head to France to find one of the "other pages" to help save her aunt. Why are so many people after her? They are all from different organization, so why do they want her? Can she trust this Scotsman who obviously isn't telling the truth to many things and knows more than he's telling? What does she have to do with Robert the Bruce and a King from France?

There were a few things I things that I rather enjoyed about this story. The plot, for the most part, was pretty good. It moved quickly and I did want to see what was going to happen next. There were parts that were very predictable and others that were very dry, but it caught me enough that I continued reading.

I love the cover art. It is beautiful and very eye catching. Cover artist... *two thumbs up* Good job.

I did have some problems with this story though, so much so that my husband told me that all I did was complain and I should pick up a new book. The writing style had much to be desired. I felt like it was something I could have done in high school. It was extremely telling and very little showing. I often felt like I in the story, just watching it from a foggy distance. I mean, we are in Paris and traveling through castles in Scotland! There is so much mood that can be developed here. Skye and Jack's feelings could have bloomed more/less depending on where they were at by using the setting as a trigger, but it wasn't. Just the fact that they were walking through cathedrals and tombs and we got so little descriptions. They could have been floating through space for as much description was given with an occasional table or buttress that was flying around (Pun intended). Ms. Peterson missed a lot of opportunities to really develop the story.

I also had a really hard time with Skye in general. For a good 3/4 of the story her internal monologue was how she doesn't know if she can trust Jack for falling for his dreamy eyes. She couldn't make up her mind, like a pubescent teenager. So intense and so angry, but then she'd turn around and check out his jaw or eyes or something that it gave me a bit of whiplash. Jack almost seemed like a MarySue  where he was good at pretty much everything or knew everyone and was still the kind, compassionate, hot hunk of man meat. I don't know, there didn't seem to be much to him aside from the MarySue skills he could provide. The romance that was supposed to be blooming between them didn't strike me at all. It seemed like Ms. Peterson tried too hard to get them to work, but there was no real chemistry. Like a Florence Nightingale affect because he saved her over and over again. It was rather obnoxious.

For being a historical suspense I was rather upset that there wasn't more flashbacks to history, which is what the cover kind of told me would happen. Instead there was a lot of historical info-dump. It was bad. Important information to the story, but it was dry. I was very disappointed.

The ending was kind of a let down for me too. Not by much, but I still wanted more. She wrapped it up very quickly when I feel like a epilogue wold have been helpful because we don't know what would really happen after. There was a maybe we could do something, but *shrugs* who really knows? I'd like to have a confirmed "this is what happens."

Ugh, I don't know. I don't think I'd read this again. I don't even know if I'd read anything else Ms Peterson is writing. It's just really strange to me that she has written more books, that this isn't her debut novel because that's what this definitely feels like.

Elantris

While Brandon Sanderson is probably my favorite author, Elantris is not my favorite book. Good book, especially towards the end, but not my favorite.

The city of Elantris was once a shining beacon to all the surrounding countries. The walls glowed. The people glowed. They had magnificent powers to heal, to teleport, to do anything it seemed. They were Gods! Until they weren't. Suddenly, one day, Elantris fell. It darkened and the Elantians seemed almost like zombies. Their hearts stopped beating, their hair fell out, their bodies covered with bruise-like abrasions, and they stopped glowing. The Gods fell.

Ten years later, people still enter Elantris but only those who have been touched by the Shoad. Those who would have turned into glowing Elantians now turn into bodies that have died who's minds haven't realized their dead. Prince Raoden wakes up on morning and finds that the Shoad has taken him and he is forced to go to Elantris where the dead walk. Princess Sarene travels from her home country to marry Prince Raoden only to find his funeral happening later that day with her marriage binding and complete. She is married to a dead man she's never met. (Hooray for her.) Hrathen also come to the city just outside Elantris with orders to convert all of the heathen and do so before three months or his home country will come to slaughter them all. Not happy prospects for anyone.

Between political intrigues, survival, and crazy priests the people of Kae have their hands full, whether or not they know it.

I found that buy the end of the book I really like all of the characters. Raoden was the one that got me through the slower parts toward the beginning. Hrathen was a very intriguing character because of the internal battles he ended up fighting and I did enjoy his playing with Sarene in their own verble chess matches.

This book was one where you had to jump into it and start treadding. Brandon is much better at this in Mistborn and is far more quick at it. Some people said that you can maybe skim through the first half and by the time you get to about 55% to 60% really start focusing, and I found that to be pretty much the case.

Especially toward the beginning, I was very confused to the whole bunch of characters that were thrown at me and I wasn't sure who I was supposed to be remembering. They seemed to be just names that flew past my eyes in a blur. It took a good portion of the time to get people fully impressed in my brain or even figure out who they were for the most part. Kiin was easy and Roial easier later on, but many of the others were hard.

I think Elantris, the place, is a very interesting one full of mystery. I think that is why I liked Raoden so much. The people he interacted with and the city itself drew me in very much. The Aeo's were interesting and as we went on they made far more sense, though they were still simple.

I did have some questions toward the end. It is part of the Cosmere so "There is always another secret." If you have more questions, check out coppermind.net and it should help you out a lot. Though Spoilers, you are warned.

This will be one that I'll reread again probably because I missed a lot and it took me forever to actually complete the read. (Life can suck at times.)

Special A

I finally finished another series. Things are finally calming down so I can read again.

That being said, Special A was a very enjoyable series. It was sweet and easy going. Definitely a series to read when needing an easy, light hearted read.

Special A is about a girl who wants to beat a boy. Her whole life she has always come in second place with him being first. In every competition they have, he wins. Grades,  he wins. Sports, he wins. Everything, he wins. He affectionately calls her, "Ms. No. 2." The rest of the series is about her finally realizing that he likes her and that she loves him. There is a mix of other characters, mainly in this SA class, and their romantic relations too.

My biggest critique is the plot. There isn't much of an over arching theme or story over the whole series. There are lots of jumps from this person to that person and their feelings and romantic moments, but it doesn't have a strong plot. Even the idea of constantly wanting to beat Takashima at any challenge is put on the back burner for major portions of the series. There are also plot points that seem very similar to other series that I've read, such as Maid-Sama or Ouran High School Host Club. Wealthy guy and poor girl with class differences, flights across the world to "save" the boy, etc. It seems to be a trend from books published in the later 2000's.

I very much enjoy the characters here. SA has some very different characters than other series I've read. They have a few more jealousies from Takashima and Arika, Hikari is willing to get dirty and can take care of herself as well as look and act feminine, the family unit of the twins and Ryu was sweet, and Tadashi's obnoxious yet still genuine kindness is nice to see. The other side characters have their own personalities which are very much different from one another and others from different series--which I seem to be comparing to a lot. I like them as characters, but there is much character progression or arch to their own stories... It is very much about being/falling in love. They are fun characters to have and make for fun moments, but overall they are kind of flat.

I think I prefer the anime to the manga on this one, which is weird to say. The anime doesn't go as far in the series, but because of that the lack of character development in the manga as well as the basic beginning arch. And that was fine. I was content with it as it ended with a complete story.

I'd read this a book series again if I was wanting something super light that I didn't have to think to much. Enjoyable but not the best.

Garden Spells

After a need for a good, happy book,  I was recommended Garden Spells and wasn't disappointed.

Claire and Sydney never got along as kids. After high school Sydney left and Claire found solace in the old family home with her Grandmother and the somewhat magical garden with an annoying apple tree.  Ten years later, new neighbor moves in next door who won't leave Claire alone and suddenly Sydney is back with a bag full of mysteries and a sweet little girl named Bay.

Old towns have legends and the people in small towns have ways about them, also known as stereotypes.  Nearly everyone in town has a family stereotype and the Waverley's, Claire and Sydney, carry the weird gene. Claire has this uncanny way with food that can make people feel a certain way. Have an awkward conversation? Have some Lemon Verbena in your muffin. Want to see better? Have some Honeysuckle. Etc. Rather smart move for a caterer. But for Sydney, going back to a small town with old faces you'd rather forget is hard, but far safer than where she had been.

I thought it was a good book. Not something I'd recommend to a teenager whereas there are parts toward the end where there is slight descriptive nudity. All sexy times are curtain closed but there are some moments that lead up to it and lots of talk about sex, but nothing descriptive or erotic--thank goodness.   It's slightly beyond the PG-17 range. I most definitely would be blushing if I was reading this at 17, like I did with the Notebook by Nicholas Sparks.

The characters were good, engaging all around and surprisingly the apple tree was one of my favorite characters. Claire and Sydney were fun and well developed as well as the other side characters. All the other characters got their moments and segments of chapters which helped bring the whole story and town community to life. Which makes the story more fun all around.

I enjoyed the book and if I chose to read it again would probably skim past some parts about 3/4 of the way though, but the rest of it was well done and I enjoyed the storyline.

Saint Anything

Saint Anything is a good book and this audiobook has a good reader.

Sydney has always lived in her brother's shadow. When he started doing drugs and getting drunk, her parents had eyes only on Payton and the drama he was dragging their family through. When he ended up hitting a kid with his car after being out drinking, everything changed. And nothing changed. Payton went to jail and everything stayed Payton oriented. Sydney was, as she had been for years, invisible. The good kid. The kid with good grades and always kept her nose clean. Nothing to worry about, so easy to forget.

She then makes the decision to change high schools. She was known as "Payton's sister" never actually Sydney and desperately wanted to not have that stigma. There she finds friends that dissipate the monotony and feels seen for once. Sydney finds that she likes it.

I really liked Sydney and the individuality of all the other characters. It's actually pretty hard to find a good young adult novel with parents being prominent characters that aren't just "my parents" or "the evil bad guys who never want me to have fun" let alone parents who have personalities are individuals with their problems and equal strengths. It's even rarer to find parents in YA novels who actually get along and have each others back. This was nice to see that change where everyone, not just the teens, are real people who have wants and ambitions that go beyond the scope of the plot line of the novel.

The setting that they are in are the same for Sarah Dessen's other novels and characters make appearances from other stories. Seaside Pizzeria makes its appearance in Sarah Dessen novels as well. They are fun little easter eggs that she lays around.

I think one of my favorite things is when the cover and title finally make sense. Those little light bulbs that go one were very pleasing even if one of them took to the end for me to finally get. That was probably my fault. I also very much like it how her books, like this one, come full circle. Practically every loose end is tied and the metaphors she uses work well for the story she is creating. Finding the carousel and the sinkhole and even the thrift stores and valuable things that some people have either lost, given away, or forgotten runs powerfully through the story.

The predictability of the book was kind of sad. I knew what was going to happen long before it did, but it was still satisfying nonetheless.

I love Sarah Dessen's books for the characters and metaphors she uses. They are both always strong. The hopeless romantic in me loves the romance that takes place too. It makes it a fun, enjoyable read, that are often different and give voice to someone who is searching for their own.

Please enjoy.

School Rumble

School Rumble is a part slice of life, part romantic comedy with an engaging story. At the beginning of the series, there are lots of small incidents that happen and as the story goes long the plots of the different characters interweave more and more. It isn't some high flying adventure or much of a gut wrenching romance, but it is a story that is light hearted and funny. I feel it very much resembles what high school romances end up being: twitterpated hearts, communication problems, secret crushes, group get togethers, and more.

Harima, the glasses-guy on this cover, was a deliquitent, the big, scary man on campus. But then upon seeing/helping Tenma, our pig-tails girl here, he found himself in love with her and got himself back to school. But the big, aloof manly-man can't be seen in love with a ditz like Tenma. But he must confess and let his choice be heard! Right? Only everything always seems to go wrong. And Tenma is in love with another, more somber boy in class named Karasima. Yes, it's a love triangle, but not an annoying one.

I think the thing that I like most about this series is that it's light and charming. Harima is such a fun character who is very determined and willing to push through anything "for the woman I love." He gets himself into entertaining situations which often made me laugh. And although Tenma can be obnoxious at times you can shake your head at her misunderstandings and move forward. Hanai, Yakamo, Makoto, Akira, Lara (Lala), Karin, and most of the other characters that are Harima/Tenma/Karasima's classmates and friends are all funny. They each get ample amount of time "on screen" and are developed fully as characters. School is not just a "whirling romantic comedy" about our main two characters, but it's about the entire class. Everyone is important. Everyone has their own backgrounds. I was able to find something I like about (most) everyone. There were one or two characters that I didn't care for in that they were overly perverted, which I do dislike, but they were only a small part and I could quickly skim/skip over them. Everyone else was fantastic.

My favorite set of chapters was a war that they had over deciding what they would do for their school festival. They sneak into the school at night, armed with bebe guns and fight it out. I get with the school shootings and things, that some people night not care for it such situations, but it was very comical. Not in funny, "haha" way, but in the intense atmosphere that they all created. I found it entertaining both in the manga and anime. But that's my own opinion. Most of the rest of the series wasn't nearly as intense, again it was light.

The only thing that I disliked really was the ending. I wanted firm confessions of love and solid relationships, and while we got some there were some relationships that I felt didn't get the ending that I wanted to have. There was a build up to it, but then the characters let themselves fall a bit flat in proving that relationship and solidifying it. At parts it was kind of a let down.

Still, read it. Enjoy it. And down get bogged down by the shortness of the chapters.

Blackmoore

Blackmoore is the second book Julianne Donaldson wrote and it was very well presented.

Kate comes from a very scandle-infused family where all she wants is to be free. Blackmoore is supposed to be her way to escape all of the ever past and move toward India with her aunt Charlotte, who--like Kate herself--has promised she'll never marry. But after making a deal with her mother so then she can actually get to her friend's estate, she finds herself still caged with sour memories filling her mind. Henry, is there. Blackmoore is his home. He has always been and will always be there to help her get out of the sticky situations she gets herself into, and her time at Blackmoore seems to breed these.

This story was far more lively than her previous book Edenbrooke and there seems more at stake here. There are many more thematic elements as well, which carry the book along and wrap it up neatly. Black birds and cages and the freedom of flight... they were well put together.

I tried to read this book with a book in my hand and found Kate at the beginning to be very annoying. More snobbish than I was wanting to spend my time with for the moment. But when I got the audio CD with Cassandra Campbell reading, I found I enjoyed it a lot more. It just took time to get there. Development of the character, depth to Kate grew the farther we went into the book. Cassandra Campbell did a great job with the many voices and tones throughout the story, which livened it up very much.

I do wish there was more character description. There was little to none in the book of the actual characters. There wasn't as much scenery either, which saddens me a little. We get the basics of the place and people, but nothing that paints a full picture as the story goes on. For the life of me I can't remember what Kate or Henry look like aside from Henry's "granite colored eyes." I would want more of them and the settings around them to give depth the story.

The characters themselves were well done. They all had their own personalities and traits which set them apart from each other and made it so none of them were mistaken for another. Even many of the party guests had their own distinct tones, voices, and personalities which set them apart as different. Which was fantastic! Way to go Julianne!

I would recommend this to anyone really who loves the regency era in British history who is looking for a sweet romance. My biggest  pro here is that it's clean which is often hard to find in the romance section of any library or bookstore.

Enjoy!

Dengeki Daisy

A great series of amazing characters. 

Dengeki Daisy is about a high school girl named Teru who lives on her own since her brother passed away from cancer. However she is not alone. She has Daisy. Her brother gave her a phone before he died and said that when she needed someone to talk to, talk to Daisy. At first she didn't want to, but as the mental need arose she began emailing him. Daisy has been her biggest support through her hardest times and she's never seen him in person. 

Enter Kurosaki. The janitor and groundskeeper at Teru's high school. Through some forced persuasion, he gets Teru to help take care of the school grounds. They start becoming friends and their punky relationship is one of the funniest things. The way they act around each other is hysterical. 

This series has computer hackers, gun fights, kidnappings, cute and amazingly funny romances, and secrets from the dead. Each of the characters is unique and has their own stories, which is sometimes hard to get. Teru's brother is such a good guy and I wish he was around for all of them. 

I think my favorite part in the series was when Kurosaki was trying to leave and Teru, in her own mischievous way, gets him to come back. Teru is a much different character than most of the other typical "shoujo mangas" heroines. Instead of being clingy and having little stars or flowers every time something cute happens, she often does something to change the subject or bops him on the head or something obnoxious. And what's awesome is that Kurosaki does the same thing back to her. Their relationships if funny and different. And they still have very cute moments to make your inner-chick-flick watcher squee. 

The premous of the stories and their adventures are different too. They are more high stake and the fact that computer hacking is even a thing makes it engaging and, again, different. Throughout most of the series there was always something that kept me going. If life hadn't gotten crazy, I would have finished it a month ago. I will warn that, for me, volume 14 and bits of 15 were slow in my opinion. There was lots of meetings that didn't seem to really do anything. But if you push through you'll very much enjoy the end. 

I very much enjoyed the series.