Glamour in Glass

 Glamour in Glass is the second book in the Glamorist Histories books by Mary Robinette Kowal. 

"In the tumultuous months after Napoleon abdicates his throne, Jane and Vincent go to Belgium for their honeymoon. While there, the deposed emperor escapes his exile in Elba, throwing the continent into turmoil. With no easy way back to England, Jane and Vincent's concerns turn from enjoying their honeymoon...to escaping it. Left with no outward salvation, Jane must persevere over her trying personal circumstances and use her glamour to rescue her husband from prison... and hopefully prevent her newly built marriage from getting stranded on the shoals of another country's war." 

I read this back in May of 2023, a year and a half ago, and boy do I remember being upset by it. 

Plot and Theme: I got half way through it and skimmed the rest to see if it got better. It got worse. Jane's "trying circumstances" were that she was pregnant and while pregnant she isn't supposed to use glamour otherwise she could lose the baby. So her fight over her own independence and freedoms vs the... scariness of soon becoming a mom and not being able to do something she loved doing for nine months. I get it. Putting things down for a time because of children can be hard, but that amount of selfishness and practically intentionally aborting her baby did not set well with me. To have this be the major plot point of the book made me put this down. It wasn't a "she will persevere or think of another way around the problem of her husband being in prison and needing to help him escape." You aren't all Glamour girl! Use your brain and come up with another plan. Don't have the major plot be, kill the baby to save the husband. And the fact that she felt so relieved to be rid of this burden made me sick.

Setting and Writing Style: It has been a minute since I read the book, but from what I recall it's setting and the way it was written was pretty good. I enjoyed the set up of Napoleon breaking out and the French country side being up in arms one way or another. I don't remember being upset by the way Mary Robinette Kowal wrote it, just the themes and plot. 

Spice: The fact that Jane gets pregnant means that there was something going on behind the curtains, but that is where it stayed. Which is perfectly fine with me. When it comes to Jane and Vincent's relationship, I remember there being problems with the fact that he was away all the time. That's not how you spend a honeymoon, dearies. Yes, they've both got to work, but besides one scene where "the curtains fall" that is all the romantic encounters I remember. The rest of the time they seemed extremely mad at each other. Such a happy marriage. 

Characters: From what I recall the characters were actually decently developed. They had differing opinions and backgrounds. Even the side characters had thoughts about Napoleon and how the previous war went with England which was kind of refreshing. I don't recall any Mary-Sue's which is great. Jane was having some major growing pains and she chose extremely poorly in my opinion. She ended up being a character that I couldn't get along with and wasn't someone I cared to read about anymore. 

Overall: Never again. I'm done with Mary Robinette Kowal. Miscarriage is something I've dealt with more often than I would like to and abortion is not something I support. It was her relief at the end that killed it all for me. Apparently she gets pregnant in another book and is all happy hunky dory, but that seemed like it was even more of a reason why I wouldn't want to pick up anything else Kowal wrote. 

I'd Tell You That I Love You, But Then I'd Have To Kill You

I just couldn't do it. I couldn't finish it, because... ya know... junior high was bad enough. I don't wanna go back. 

Cammie is the daughter of the head master for Galligher Girl's School. What everyone else in the world doesn't know is that it's not just some prestigious girls school for the smart and rich, instead it's a school that teaches those smart girls how to be spies. Cammie has become an expert at not being seen and blending in due to her upbringing, so much so that it's become a detriment to any social life that she could possibly have, not that the girls get out much to socialize in public spaces much in the first place. But on Cammie's first "mission" out at the nearby town carnival, she's actually seen by someone. And not just anyone. A boy. With the "help" of her friends, she now has to figure out if he's just some small town boy who just thinks she's cute and wants to get to know her, or if there are ulterior motives that could put their national security at risk. 

I'm sure the story is fine, that's why I would have given it three stars. It probably has a great story, I just couldn't finish it. I don't think this aged well as the slang in particular is so heavy. I know I talked that way and heard may kids talk similarly to the way they do in the book, but ya know I don't need flash backs to the acne, boys, and hard time junior high school actually was. 

Ally Carter, you did a great job at your research, possibly too well for me. I'm sorry. 

I also think the characters were a bit stereotypical. Goth girl rebelling against her rich, snobby parents. Poor but brilliantly book-smart girl who gets on by scholarship. Amazing at everything and anything girl who still is super awesome and best friend to main character. Everyone has everything except stealth and blending in, which our MC has. They all seem fairly like Mary Sue's to me and it makes it hard to relate in the first place. This is why I dropped it to two stars. 

Fly Me To The Moon (Tonikaku Kawaii)

 

Fly Me To The Moon is a slice of life story for a boy named NASA (like the space association) and a girl who saves his life. He vows he will marry her, but she disappears. He goes through school, graduates at the young age of 16, and suddenly she shows up and asks if he still wants to marry her. He's been looking for her for years and says yes, so they get married. They live in his tiny little apartment and get to know each other. Part of the suspense and intrigue in this story is that neither of them knows anything about being intimate and they both think it would be very improper to touch much let alone sleep with each other (other than actually resting). When his apartment burns down, they move temporarily into a bathhouse (run by a mom and her two daughters who are his age, whom he's helped out with accountant work in the past). Jealousies and friendships accrue. 

In going into it, I didn't realize it was a slice of life, so I was anticipating a thick plot and was slightly disappointed. There was this implication that she is some kind of moon spirit or guardian, but then that never really goes anywhere. I haven't finished the whole series because it was getting king of long (as slice of life stories sometimes do), but I did enjoy what I did complete. 

There were many really cute moments that I don't think would happen in real life (because of the attitude of "we shouldn't touch more than hand holding," "kissing makes me embarrassed," "I shouldn't look because I'm not supposed to" when they are actually married and all of that is fine in practically ever culture that I'm aware of). They are sweet and kind to one another and shows a good marriage which is nice for a change when there are so many awful marriage or the "Mom and Dad are off on business trips for the whole story or don't exist all together." 

I really wish they would have added more into the whole Moon Guardian thing. The slice of life aspect of it is fine, but I really wanted them to do something more with her paranormal powers--like how the heck did she actually safe him! 

The Girl in Green

This is a story of two men in search of a girl. In 1999, US forces were in the Middle East during Desert Storm and were in the process of pulling out just as a civil war was breaking out. There were many civilian casualties. Arwood, a pee-on in the US military is supposed to be on the look out for Iraqi forces at Checkpoint Zulu, lets a war reporter named Thomas Benton walk go into the nearby city to go reporting. Non-U.S. military forces bomb the city Benton is in and he tries to run back to the demilitarized zone. On his way back, he tries to help this teenage girl in a green hijab come with him as a refugee to the save US compound. Arwood tries to help and on their way back the girl gets shot in the back. This moment changes their lives. Arwood becomes more reckless and "dishonors"  himself in the military, Benton has a hard time getting over how this girl died. They never even knew her name or really heard her speak. Now, 22 years later, they see television footage of the war-torn Middle East and see this same girl who's been imprinted into their minds for over two decades as a bomb goes off right behind her. How is she alive? Is it really her? And how are they going to save this girl? 

When it comes to Desert Storm and many of there African and Middle Eastern wars, I know very little. I know that there are U.S. Troops there, and that "War is Hell" but as for many other parts of it, I know very little. I was hoping for a little view into the Desert Storm world that I was only a kid living through and didn't understand the news. This book gives a great feeling toward what I was looking for. It sets you right there giving fairly fleshed out characters in this real world time and location. It was written well for the most part which I appreciated. 

Arwood is a fascinating character and Benton is alright. The real situations were eye opening as well. 

I was prepared for the war moments, the sad and scary times, but the vulgarity (which I gave a few more passes to because "soldiers be soldiers) got to be more than what I care for as well as the more than prevalent "boinking" going on. The "curtains closed" on many sex scenes, but I stopped when Arwood was discussing things. I hit final straws and there was enough hopping on my drawn line that I just set it down. 

I didn't finish it. Some might want to, but I'm setting it down and will probably have to do my own research into what happened instead of hoping for "entertainment" to do it for me. 

Traitor's Blade

I very quickly decided to put this one down. 

I hardly know what it's about besides a "swashbuckling, Three Musketeer-like" book. It was suggested to a forum I'm on and quickly decided it wasn't for me. 

First few pages were all talking about sex and how one of their "commanders"(?) was having his way with at least 5 different women that evening. Then there was commentary on it. 

Yeah I don't need or want this. 

The Poppy War

 

This one, I didn't finish.

The basic plot of this book is a young girl, Rin, who grew up with her "auntie" and "uncle" in the country of a China-esque country. In order to not be sold off into marriage she studies her heart out to take the governments exams to try to get into an academy. While she aces the exam and escapes a life of forced marriage and hiding the drugs her "relatives" are dealing, she finds herself way out of her league. She's studied for two years, but the rest of the students at this war academy have had their whole lives to train in marital arts, the classics, and other areas that she has no training in whatsoever. With pompous arrogance on ever side of the students and teachers who hate the country trash, she must prove herself not only to them, but to herself as well. And then she discovers she has shaman magic.  

With a difference in country and cultures, this book reminds me very much of Tamora Pierce's Song of the Lioness series and her Protector of the Small series. Only girl in a group of boys at school and she must show that she can stick with the boys and beat them or get "kicked out of school." There is even the "I'm starting my period" moment toward the beginning reminding her that she is very much a girl amongst the arrogance of men. For those coming into a new generation, sure enjoy it (for as far as I read anyway). 

It is highly based on the politics and wars of 20th Century China which there isn't much of on bookshelves. Her country goes from Imperial "China" and fighting wars to defend their borders, to stopping a civil war and joining rebels to build a republic, and fighting enemies with more modern technologies. Being a history buff, I enjoy the other culture interpretations of history (in a fantasy sense too) and so I was really excited about it. Though I just read a brief article with the title of "What if Mao was a teenage girl?" And that was kind of off putting. He is not a world leader I like in any which way, so comparing Rin to Mao... makes me a bit wary. 

But I had to put it down because there was too much swearing. Not as much as others (comparatively, it could be considered "light") but there to many F-bombs dropped for me. Some of the other swear words I can deal with, but when it comes to the heavier language... I prefer to not. There are too many other books I'd like to get to. 

It was well written from 15% I got through. For those who don't mind/care, go for it. If you enjoy diving into cultures and enjoyed the Song of the Lioness or Protector of the Small, I think you'd enjoy this one too. History buffs, have fun. 

The Bad-A** Librarians of Timbuktu And Their Race To Save the World's Precious Manuscripts

I thought this was going to be an epic non-fiction piece like Before and After, but after the first five or six chapters, I struggled so hard. I just couldn't finish it. 

 This story is about how a librarian named Abdel Kader Haidara who worked all throughout the 80's and 90's to gather as many ancient documents and manuscripts from around Mali and its surrounding countries and gathered many of them in Timbuktu and his own collections. He preserved and restored many of them. They were gorgeous pieces of literature, Qurans embossed in gold, mercantile documents, and so much more. Though as the political scene in Africa during the late 90's and early 00's got more and more violent with Al-Qaida becoming more prevalent, foreigners getting kidnapped and murdered, and religious/historical everything getting destroyed, Haidara and others like him worked to get the many thousands of manuscripts out of Timbuktu to safe places where these historical documents from the 15th Century . 

I was really excited to learn about these librarians who worked so hard to save these documents of such historical significant that showed how Africa isn't just a bunch of desert and bush, but that they had thriving communities of intellectual and tolerance. The beginning and Haidara's story was engaging. But after a while that story telling became very dry. Names were thrown all over the place and I didn't know who they were even through the are of modern historical significance. I, personally, wasn't around for the 80's and was only a little kid in the 90's so many of the names were vaguely familiar, but I didn't know what they had done. I became very bogged down. If I had more basic information about what Al-Qaida was doing I might have been able to understand it more. 

I, sadly, didn't finish it. It was an audiobook, so it made it really hard to skim through the parts to get to the other parts I was more engaged in, and then had to return it. I tried. Four or five extra chapters. But I felt like I was just more lost. The reader could have been better too. 

I still want to know more about it and thankfully there is actually a TedTalk by the author Joshua Hammer talking about it and what Haidara did which I will be diving into. Here is a link to the TedTalk as well as (1 a five minute clip, (2 A BBC documentary, (3 an Extra History presentation on the Empire of Mali links for documentaries about it. It is very fascinating and learning more in a different format is probably what will be best for me.  

Read on. Find out more. 

A Discovery of Witches

 A Discovery of Witches *sigh, and not in a good way* 

Diana is a witch with a lineage that goes back on both sides to Salam, Mass. c 1600. Matthew is a vamp who has been around for a millennia and a half. She is super powerful though doesn't like to use her powers because she considers it cheating and she wants to get her PHD and other studies the "normal way." He is looking for away to save his kind and stop all these murders that scream vamp all over them. Then there is also the big bad "boss guys" who say they can't get together because... I didn't get that far. 

It... *ugh-sigh* The first reason I gave it a 2 was because it was beyond long winded. Setting and descriptions of everything took forever, and I was reading an audiobook where most of the time that doesn't matter. And I'm all about a beautiful setting and wonderful descriptions, but there was so little poetry behind it all and it took For-E-Ver. The 600-ish pages could have been dropped by at least a quarter if she had been more choosy as to what was needed for the reader to know what was going on. It's a brick and feels as heavy as one. Plus, tea and wine. Tea and wine. Tea and wine. And descriptions on every scent and whiff of tea and wine. O.O UGH! 

My second problem is him. If you go for a "Beauty and the Beast" kinda rage problems but miss the whole story of B&B, you just get a very angry guy who hasn't learned to control his temper in 1500 years. That's a long time. Honestly, if he hasn't learned it by now... If she does anything wrong, especially unknowingly (because "forget everything you thought you knew about vampires"), he practically jumps down her throat. "How dare you do this thing which you didn't think was bad! I'm not going to explain how that was actually kinda rude; I'm just going to yell and pretty much throw a tantrum because I'm only mentally 3." Okay, that was probably a bit mean, but it happened. 

Matthew has this over-protective thing (fidgety feeling) almost out of no where and likes to watch her sleep also and other weird stuff that reminds me heavily of another vamp that sparkles. Many of the characteristics that many people disliked about that vamp is the same thing Matthew has. Red flags of all kinds pop up. Then Diana who is supposed to be this warrior-princess of awesome becomes so passive mess every time he's around it seems. Again, possibly an exaggeration, but I got through about half the book. When he's around, almost all of her brain smarts and goes away. And yes, it's cool that suddenly he became friends with every single person of scientific importance over the last 1500 years, but come on. Let some of her awesomeness shine out. It didn't so much. 

And while I didn't finish it, I did look up the rest of the plot on the interwebs and saw that they made a tv series out of the book and it's two sequels. The big baddies are this counsel who won't let inter-species relations happen. But they really want to, but they can't because laws, but they'll probably do it anyway. There is also supposedly time travel in this book toward the end and it gets to the point where it seems like there is just too much going on. Blood science, problems with reproduction, inter-species relations, "I'm too powerful and don't know how to use it," "Yes we should" "No we shouldn't" dilemma, yoga class gets in there too, history class for the ages, and time travel all with an over abundance of description. 

It's too much. 

I don't really want to read a fanfic written by a Twihard mom who, though clean (I will say that, so far as I read though the series trailer will dispute that), wants a Twilight fix. ((Not to blow up on Twilight or hate on Stephenie Meyer, I just don't think her books were written as well as they could have been, and I wish she'd step away from it instead of writing another Twilight novel "but this time from Edward's point of view" (There I said it). Maybe I'm just upset because she didn't choose Jacob in the end? Who knows?)) Twihard mom's might like it, I do not. 

Moving on to the next book. 

The Girl on the Train

The Girl on the Train is a National Bestseller and supposedly pretty good. I somewhat disagree. I can see why people would like the book, I however don't care for it.

The book is about Rachel who's had a mental crisis and is trying, very poorly, to function. She rides the train to work every day and at a particular stop, she watches this couple whom she deems perfect. They must have the perfect life. She's fascinated by them because her life has gone down the drain since her divorce to her cheating husband. She does drink and often blacks out, not being able to recollect anything whiles she's drunk. Megan who is spotted having an affair. And lastly, Anna, who is the woman Rachel's husband had an affair with and is now currently married to. Megan is suddenly found dead and after a drunken blackout, Rachel is trying to find out what is happened on the night she can't remember. Did she do it? Did she see who did it?

This is the story with a very unreliable narrator. Rachel is on the verge of mental snappage which makes her testimony hard to find solid footing in, which is a way to make this fun. Unreliable narrators bring twists to the story that otherwise wouldn't be there or it wouldn't be nearly as fascinating. This was the point that drew me in and kept me wanting to listen.

However, I didn't finish the book. It had a few too many and strong swear words for my liking as well. It was also more dark than I really wanted to read. I don't get drunk, I don't drink at all. I don't find it as fascinating as others might. I don't have a point of reference for it, not that I really want one either. Then there is the concept of affair this and that and having it constantly swirling around the page. I don't read for that. Getting cheated on isn't something I like focusing on. To have it be so constant, has put me off.

I'm sure it's a good book, for other people. Not me.

If others don't mind the concepts that are very prominent here, then they would probably enjoy it very much. Have at it. It was written well with good characters and an interesting concept. It's just not more me.

The Blade Itself

I had heard great things about Joe Abercrombie. His books are on all the lists of fantasy books to read and many people rate this book as awesome.

I do not. I try to finish most books,  but is just couldn't bring myself to do so. I got to my 50 page rule and have no interest in it.

A crippled torturer, a "barbarian," to cool for you jock/captain of something along with some kind of wizard get together eventually and do something. I don't even know what,  but bad guys from the north have something to do with it. I don't even know.

The characters are supposed to be cool, but they are really just either creepy or cocky. The torture has an obviously gross and gory line of work and although he says he's trying to find meaning in the brutality, he keeps doing it and finds pleasure in it. The captain reminds me of a stereotypical football jock who is on the team to get the cheerleaders to look at him and to get drunk at the next kegger held. His friends were pretty cool and could have had a more interesting story than jock boy. The barbarian man,  though I don't know his age (supposedly has a family that was murdered,  but he very much acts and talks younger than an adult so I don't know for sure), brutal decapitates a kid. He boy was part of a bandit group,  I get it,  but ick. Abercrombie didn't have to make him a boy or be as gross with it as he was. At this point I just stopped. Too gross for me.

It is just the beginning of the book so the characters haven't had their trials to smooth out their character yet. I get that. It's the character arc. Obviously they grow somehow but I just don't care. They aren't engaging enough for me to want to see them grow.

The jock had a run through the city and that was pretty cool for about the two seconds of setting we got,  but aside from "mountains," "cliff," "water," maybe "bog," and "torture room" there wasn't much setting even though the descriptions were long. There was white gloves and plaster which made me put it in a more modern sterile setting, but then everywhere else felt fantasy-ish. My mind couldn't decide where to put people or the intended setting around them.

Between the constant profanity (F-bombs included) and the gore/creepy factor,  I'm relieved to put this book down.

The Historian

The Historian dives into the world of the most well known vampire: Vlad Dracula.

In the story, many people have died when they've started to research the true Dracula (Vlad Tepes) and his actual resting place. "A young woman"/"the narrator" finds a mysterious book in her father's library with an ornate wood carving in the center of the book. What is this book, why is Drakuya written it it. Every question she has more mysterious things happen, even the death of her cat as a warning to stop looking. Mysterious figures and strange stories from her father keep her investigating even though her cat isn't the only one killed.

Kostova did a great job in researching the affairs that correlate here. Knowing a lot about Vlad Dracula and Bram Stoker as well as the places "the narrator" visits wither her father. Way to do your research!

However, I didn't finish the book. It was sooooo slow. Her father is so scared of his shadow and can only tell his story behind the book that it takes the girl months go get anything. They travel all around Europe and only get snippets of the story. It is so stock full of description and travel (unless they are eating) that it is hard to get to the actual context of the book. It also jumps from letters, to her father's stories, to her own "adventures" that it is hard to follow in parts. There were parts were she met with another girl who was reading Bram Stokers Dracula, the chapter jumps to letters and what I thought was her own adventures, but then it jumped back to her sitting at the charol in the library across from the girl again. I was so confused. It jumped so badly and went so slowly...

Also, why doesn't she have a name? It's not that hard to give characters names and use them.

It is a large book with nearly 700 pages but I could only get through 115 or so (with Hadi Girl somewhere in the middle). It was kind of depressing and dark (large portions of the story taking place at night, in dark libraries, etc. as well as people getting killed mysteriously) and I've sooo not been in the mood for that. It seemed to actually make my mood worse. So I'm stopping and probably won't pick it up again.

If it was written differently, more engaging, less jumpy, I probably would read on because the idea was interesting, but I don't want to read a 700 page book on how to research the undead and the murder warnings that happen.

If you don't mind slow reading or are super into descriptions, this book is for you. Not for me. Good luck.

City of a Thousand Dolls

City of a Thousand Dolls got kind of boring for me. I couldn't stand reading it for too long even after 100 pages.

Nisha is a girl who is part of no caste, from unknown ancestry, and was left at the doors of the City of a Thousand Dolls--a place where women go to prepare for their husbands or future careers (I think careers, I know they want to get married off though). She is the eyes and ears of the Matron of the City so she sees and hears everything that happens. But then, on the week leading to the Redeeming (where the girls get selected by their prospective spouses), girls start dying. First an accident then poisoning.

Even though people are dying, I didn't care. I'm sure there are girls who would really enjoy this, but I didn't. There seemed to be little for me to want to grasp and care about.

There is a romance that has kindled, but I don't think it'll pan out like Nisha wants it too--boy thinking of family name more than her (though I could be wrong). It didn't seem to be going anywhere, or if it does it shouldn't have. The romance is very paper thin with lots of makeout sessions hidden from sight. Something you would expect a newly junior high school student to be fantasizing over. Almost 1D, not even 2D.

There were talking cats too, which I know can be a turn off for some people. Like she has no friends, except maybe one, and the cats that follow her around. And the only reason they talk is because she needs to have dialog with someone. But she isn't trusted by anyone or she doesn't trust anyone enough to have meaningful conversations except the cats who can't talk to anyone else. Why can she do this? ... Reasons. That's why.

I will give Ms. Foster points on an interesting setting. The City and surrounding culture was interesting. All the different factions that exist in the City where girls worked to become an expert in specific things. That was cool, but not exactly interesting enough to keep me engaged. I started it well over a week ago, and barely got 75 pages in, still didn't care, and started skimming.

I'd probably disregard this book and find something else.

Heir of Fire

The third book in the "Throne of Glass" series by Sarah J. Maas, just didn't do it for me. I got to page 248 when I couldn't take it anymore and stopped. I may pick it up later, or I might just find a wiki on it to find out what happened, but I just can't get myself to finish it. I don't not finish books very often, especially after starting this here blog, but I just couldn't.

After Choal sends Celaena away across the sea to another country for her own safety, she finds she doesn't want to kill the mark she was sent to get rid of him. So she meanders around town until a Fae, the strong, silent type (who is also immortal) who could be described as a Juggernaut, finds her and she willingly goes with him (for no real reason except he is Fae...) to one of the cities of the Fae where she meets her great+ aunt who is queen of the Fae. But before her aunt will answer any of her questions that she has about how to defeat the king she serves so then he doesn't annihilate the world and all who are in it, she has to prove herself magically. Now that she is away from the country and the king who is stopping magic, she can access her uber powerful magic that she has been scared of/doesn't have access too since she was eight (someone cliche in my opinion). The Juggernaut Fae is the one set on babysitting duty to help her find a way to control her magic. But then as she is starting to gain access and minor control over it, there are baddies in the woods she she starts investigating--because she can't get any answers about the world wide problems that are erupting back at home.

Meanwhile, back in the castle, the Prince is starting to fall for a medic who has been twitterpated over him for years (he is the Prince after all). She also finds out about his new magic that made themselves  known in the second book. She okay with it and is willing to keep his secret, so much so that she is willing to help him find away to control or stop it. I foresee this going badly and probably hurting him. Also, there is a new man in town. Someone from Celaena's hometown, before it was destroyed, who is known for being a traitor to his country. He even holds Celaena's uncle's sword, which she was supposed to inherit. No one likes him but the king because he's a traitor-pants. But the also has something going on. Going out to party at night but only staying at his parties for a but before sneaking off. Choal finds this out and is super suspicious and follows. Suddenly, everything is thrown in the air and isn't what it seems.

Then way up north we get an introduction into Baba Yellowlegs (from book two) colony of witches (like they eat people and all they want to do is kill, not nice people at all). The King has something up his sleeve and has given the clans of witches packs of wyverns. They start training how to fly so they can go off to battle for the king.

This book jumps around a lot. There are so many points of view, which are distinct enough that it is easy to tell apart so it didn't get confusing, but it just jumped through so many and I didn't care like I had previously. It seemed to take too long to get anywhere. While Celaena is trying to learn how to use her magic, we get nothing more than Rowan yelling at her to "shift" and being boring for hours on end. They get into some dialog but even halfway through the book we know nothing about him except he will follow all of Celaena's aunt's orders until he immortally dies of old age. I don't care about him. He will be a love interest, but... eh. Whatever.

I didn't like Manon (the witch lady) for a long time. The death, death, death, and more death got old waaaay fast. How she got her wyvern was pretty cool, but then it went back to death, blood, smelling humans and wanting to kills them again. Ugh. But then that's what all of these books is about. I mean, Celaena is an assassin, of course it's going to be about death. But with Manon there is nothing but killing. Death ends up trickling into the other characters stories as well and it just gets so over done. Like a cloud of gloom hangs over the book. I'm so not up for gloomy or the foreseeable romances.

I think the characters we also not much like themselves, mainly Celaena. In the first two books she was witty, a book lover, it was fun to read. And I get that after the death of her friend she would change, but her wit is what I liked most about her. Now it seems to have pretty  much vanished unless she's getting beat up by Rowan. Those conversations don't last long and they aren't as funny.

OH, I also am very put off by her lack of description. People are blurry, if they were described it was probably only once and what seemed half heartedly. There is very little repetition of description to remind the reader what the freaking people look like. This drives me nuts!

It also swore a lot, which I don't care for in the least bit. It became very annoying. (Call me a prude, whatever.)

It felt rushed to me but weirdly enough it took forever to get anywhere. 560-ish pages of not a lot happening. Almost like a hurry up and wait game we play in bureaucracies. It got boring and I have a very large pile of other books that are due back at the library soon that I want to get to. So I'm putting it down.

Also, it was funny, when I was trying to explain it to my husband, he got all confused--possibly due bad descriptions on my part. But there was so much going on with so many characters and popping in and out and just odd things happening. It was a very long conversation, where, at the end, he asked me, "why are you still reading this then?" And I didn't have a good answer to give him.

I know there are lots of other people who like it, but I just didn't.

Drop of Night

I tried. I tried really hard to get through this book, but it took forever to get going anywhere.

A Drop of Night is about a group of supposedly super smart teens being whisked away to France so they can explore this super amazing house and the untouched underground labyrinth under it.

They spend a lot of time getting there and introducing characters. But what really dragged for me, which had the potential of being done awesomely, was that it jumped between "present day" time and "French Revolution" time. The house's labyrinth was built to keep away the revolutionaries and keep the nobles safe. Makes sense, yes? But why ask teens to go down first? Why the mystery and cloak/dagger-ness of their host? (These questions are addressed in the beginning, but not expounded upon.)

Suddenly their host goes berserk, they wake up in the labyrinth under the house, and one of them gets insta-killed. Why? Because... They run away from their host and his associates further in the maze and almost get beheaded like they do in the movie Ghost Ship--all wires moving really fast. Then suddenly there is a zombie/ghost dude walking about and mention-ish of a demon thing that took over the original owners mind... or something. I don't even know. Or really care.

Supposed to be good, but I couldn't find the wanting to keep reading. 100 pages before getting down there and another 50 of jumping times was annoying. The shifting between times gave no real tension. It was all super high tension and no relief to let us breath. It reminded me of the book series  Maximum Ride by James Patterson. SO much jumping. Too much jumping with chapters sometimes not even two pages long. That's okay if there are longer chapters for most of the book, but when most of them are maybe three pages... It feels like all I'm doing is turning pages, not actually reading anything.

Overall, I didn't care for it. Characters were wanting. All the boys were pretty much the same personality from what I could gather or they were stereotypes. I didn't care for them at all. I'd probably read it to see who died in it, but not much more than that. I'm not going to be picking it up again. Sorry, but blah.

Deep Blue

Deep Blue by Jennifer Donnelly was dripping in cheese. I am actually fairly surprised that there isn't a copy in the children's section when the childishness would be appreciated. For a children's book, like sixth grade, no higher than eighth grade, would be okay. They would enjoy it. I did not. I even read another review, hoping that it would get better, but she had the same complaints I did and said it didn't get better.

Donnelly used cliches which weren't actually cliches. Such as: Money = currensea, girlfriend - merlfriend, a family tree = coral tree, and candies are weird things like "cillawondas, bing-bangs, janteeshaptas, and zee-zees." It also has paragraphs like "the others set off and she followed at a little bit of a distance, watching Neela, swim with Ling, and Ava with Becca. ... But as she watched her oldest friend, and her three new ones, swim ahead of her, she felt surer and stronger about facing what was to come." (Two lines of brief dialog followed by a new chapter. I wrote like that when I was in high school--I was alright, but not good enough to get published, at all. I remember having filler words like "at a little bit of distance." Why not say "behind" or even "at a distance"? The book is very wordy and takes a long time to get anywhere. 

It takes a while because most of the book is an info dumb. I get that there needs to be explanations, and exploring this world, which isn't a cliche fantasy world, is important. She needed to set the environment, but I could easily skip paragraphs, almost whole pages, and not be hindered. The world was well thought out, but poorly executed on the page. 

By page 77 I was bored and I only got to 150 before I gave up. The inciting incident finally happened, but not until page 95. 95!! There was too much set up in her perfect palace life with minor dramas between her and a cliched cheerleader like figure. Again I had one in my high school stories. My character Daisy served the same purpose as this one did, filler of possible backstory. But then suddenly everyone in the capital city is dead or being held hostage by the bad guy--somehow that happened. She and her friend run, er swim, but then get captured and talk to the villain of the story. He's charismatic and condescending and threatens to kill everyone if he doesn't get his way (like another one of my characters from high school, they are really good at throwing tantrums). They escape, find the rebels and are suppsoed to save the sea from the bad guy and his evil plan.

The characters didn't develop at all throughout the first half of the book. Neela is SUPER childish at 16 years old and is always gorging herself on candies. All the relationships seem... fake? They are weird. I felt nothing for any of the characters when they died--maybe their are dead, we don't know for sure because nothing was definite about many of the ones who died. I should have felt something, especially if you are going to spend 150 pages of info dumping.

The plot was extremely cliche. You have a strange dream because you're the chosen one. You don't want to marry the guy you re betrothed too--because you're a princess. You are on your own, because what YA novel has your parents as being a big role during your adventure? Because you're the chosen one you must stop the bad guy and releasing doom and destruction on the world. There are magical objects you need to find. Oh and those mythical creatures you thought were mythical, they aren't. Moral you learn is probably friendship, because boys are dumb in this book. P.S. Girls rule and save the seas.

The only thing I think this book had going for it was the mermaid thing, but the cliches killed it for me. There are three or four other books, but I'm not going to be finishing this one let alone the others. Jennifer Donnelly, you disappointed me.

Lies of Locke Lamora

The Lies of Locke Lamora seemed like an intriguing book with an interesting premise when I first picked it up. It was a recommendation from Goodreads, but it wasn't to my liking.

I didn't finish this book and, sadly, didn't get too far into it either. It had too much swearing and vulgarity for my taste. I gave it about 30 pages, but then had to put it down. I don't need any more swearing in my head. It's hard enough to get out when people around me are saying it.

So it is a DNF for me.

Setting the stage for the story is one thing, but too much is too much. Setting can be developed in different ways that are more tasteful in my opinion.

Sadly, I was interested in where it was going. :(

The Kingdom of Little Wounds

I was sorely disappointed in this book.

The writing was beautiful. The idea was very interesting and new--a fairy tale about syphilis in Scandinavia, how fresh. The cover is gorgeous. And the copy of the book I got my hands on had red all along the sides making the book stand out beautifully against the other books on the library shelf.

HOWEVER! it was extremely graphic. Both in the sickness and sores that constitute syphilis and in intimate encounters. Describing bodily functions and whatever else have you. It was "gross," as one reader on the Goodreads mentioned, and grotesque.

I only read about sixty or so pages before I became hesitant and went to encounter the comments on Goodreads to know if I should continue reading. Many people gave it five stars for it's beautiful use of language but the rest of the people who gave it lower remarks called it that because of the skanky and perverse scenes.

Originally I found it in the young adult section of my library and, because I work there, was quickly able to suggest to the cataloger to change it to adult. I think this is part of the "New Young Adult" section that is popping up in libraries/book stores, but I don't think that this should be in the YA section of libraries. I would not recommend this to anyone, adult or YA, because although the language is beautiful it is still so very skanky.

If Susann Cokal but I don't think I'll read anything else by you.