Tuck Everlasting

Tuck Everlasting was a book I originally read in my 5th grade class and in all actuality is probably the first chapter book to read in class that I actually enjoyed. I haven't read it for years but I found that I still loved it.

Winnie Foster is a girl who is stuck in the moment of sameness. Nothing changes for her in her life, with no friends because she is to proper, to clean, and practically confined to her yard. The only conversation she gets is from a toad that sticks around her yard. So not much conversation, until a man in a yellow suit comes by and asks about a peculiar family that she doesn't know. One day at the top of summer where it is the most hot and nature stands still from heat exhaustion, she decides to run away. She gains the courage to step outside her fenced yard and starts traveling through the woods her family owns when she stumbles upon a boy drinking from spring near the base of a tree. What she is about to find out is that he's part of a family who can't die. She gets taken away to have the situation explained to her, but wait... did she just get kidnapped.

It's a sweet book about kind people who have found the meaning of death, in a not gory or creepy way. I very much enjoyed the book, even as an adult.

I love the way Natalie Babbitt used cycles and circles to convey the metaphors, morals, and themes throughout her story. They were well done and well thought out. I also very much love the characters and they are all so human. Setting was well done especially for the fact that this books takes place, for the most part, in two days. It was set up well.

I honestly don't have any faults in this story. Any major disheartening or dislikes or major troubles.

It's a good book that deserved its rewards. It also has two movie adaptations (one in 1981 and the other in 2002). I very much enjoyed the portrayal of the book done in 2002, though there are differences for exaggeration, but they were fun concepts that were played with. I'm gonna be watchin' it soon.

Please, read it. Enjoy it. You could probably finish it in a day.

Saint Anything

Saint Anything is a good book and this audiobook has a good reader.

Sydney has always lived in her brother's shadow. When he started doing drugs and getting drunk, her parents had eyes only on Payton and the drama he was dragging their family through. When he ended up hitting a kid with his car after being out drinking, everything changed. And nothing changed. Payton went to jail and everything stayed Payton oriented. Sydney was, as she had been for years, invisible. The good kid. The kid with good grades and always kept her nose clean. Nothing to worry about, so easy to forget.

She then makes the decision to change high schools. She was known as "Payton's sister" never actually Sydney and desperately wanted to not have that stigma. There she finds friends that dissipate the monotony and feels seen for once. Sydney finds that she likes it.

I really liked Sydney and the individuality of all the other characters. It's actually pretty hard to find a good young adult novel with parents being prominent characters that aren't just "my parents" or "the evil bad guys who never want me to have fun" let alone parents who have personalities are individuals with their problems and equal strengths. It's even rarer to find parents in YA novels who actually get along and have each others back. This was nice to see that change where everyone, not just the teens, are real people who have wants and ambitions that go beyond the scope of the plot line of the novel.

The setting that they are in are the same for Sarah Dessen's other novels and characters make appearances from other stories. Seaside Pizzeria makes its appearance in Sarah Dessen novels as well. They are fun little easter eggs that she lays around.

I think one of my favorite things is when the cover and title finally make sense. Those little light bulbs that go one were very pleasing even if one of them took to the end for me to finally get. That was probably my fault. I also very much like it how her books, like this one, come full circle. Practically every loose end is tied and the metaphors she uses work well for the story she is creating. Finding the carousel and the sinkhole and even the thrift stores and valuable things that some people have either lost, given away, or forgotten runs powerfully through the story.

The predictability of the book was kind of sad. I knew what was going to happen long before it did, but it was still satisfying nonetheless.

I love Sarah Dessen's books for the characters and metaphors she uses. They are both always strong. The hopeless romantic in me loves the romance that takes place too. It makes it a fun, enjoyable read, that are often different and give voice to someone who is searching for their own.

Please enjoy.

Oathbringer

Oathbringer was a fantastic book. A big book, but (like all of Brandon Sanderson's books I've read) amazing.

The Everstorm is here and the Voidbringers have returned, and the lost city of Urithiru has been found. Urithiru is so large that it would take at least a decade to explore most of the rooms and life times trying to figure out how contraptions work. But being a few weeks into the lost city has brought about unexpected things: Oathgates, new fabrials, murder, and creepy shadows that haunt the halls. Dalinar and the high princes from the Shattered Planes aren't the only people to come to Urithiru, but the Ghostblade's had also made their appearance.

In Oathbringer we get not only the point of view of Kaladin (who has now learned to fly on the winds of the Stormfather), Shallan (who now has to find a way to deal with all the things she's so successfully kept down and out of her mind), Dalinar (who still needs to "unite them," defend Urithiru and Kholinar from the parishmen who are now taking over), and Wit (doing who knows what) every once in a while. But we get bits of point of view from many  members of Bridge Four! Teft and Rock and the Lopen and others. Aiya! I love them all. But there are many others you get to see, including Moash. I understand the hatred many people have for him and I agree. Stupid Moash. I gained a deeper love for Jasnah and Adolin. His sword is really cool. I like her.

This book is Dalinar's. We get to see his memories and we get to know his wife. Dalinar was not a very good person in his younger years. Like, I started getting sick because of the crap he did. Ugh. The "moral of the story" that each character learns, each learning something a bit different through the same experience, was very well thought out and well presented. Brandon Sanderson is really good as his character decision making moments. In Well of Ascension, where Vin has a decision to make with Zane is one of my favorite such moments. But Sanderson does this for multiple people here which was fantastic and again well done.

I really enjoyed this book. It did take me a long time, competitively, to read it and there were times, especially at the beginning, that went really slow. But if you can be through it, it's very, very much worth it. Read it and enjoy it. Reread it along with the others and find all the "awesomeness" that is inside.

I did find Shallan and her multiple personality thing very weird and I didn't much care for when many of her, especially early, sections. I enjoyed Kaladin's point of view. There actually seemed far fewer chapters for him, which made me sad. It is Dalinar's book so he can have a large part of it, which I was okay with. I just would have liked more from him.

This ends up being the problem with I don't want to say too much, but I feel like I'm not giving enough. So I'll just say, get through the first part and you'll love the book.

Depression & Other Magic Tricks

Much like Our Numbered Days, Depression & Other Magic Tricks is a book of poetry produced by Button Poetry that I found online.

I very much enjoyed Sabrina Benaim's poems in this book and the development that happened as I turned the pages. It, of course, talks about depression and dealing with it, trying to explain it, and seriously just coping with it. But then it also goes into life around depression as well, triggers. Many of the poems are about dealing with a specific break up it seems where the boy in her mind just won't go away. She is glad/sad he's gone but always wanting him back, but unable to get him back. The progression of events was fantastic.

I was trying to explain to my grandmother how to read poetry to get its fullest meaning (read the sentence not the line break before you take a breath, read it a few times: the first to figure out what it says, the second to find further meaning, and a third to truly, simply enjoy the poem) and was actually having a hard time showing her how to read to the end of the sentence. Because there were hardly any of them in there. Quite a few of her poems were very long run on sentences were you, the reader, had to decide where to take a breath. There were many with "/" every few words that separated the fragments of sentences just enough for a feel of the line breaks without having line breaks.

The poem that really drew me to Sabrina Benaim though was her presentation of "Explaining Depression to My Mother, A Conversation." It was beautiful and shows how difficult it is for those who have depression to explain it to someone; someone who doesn't have it, doesn't get it, but is still trying--in their own way--to help. Below is her recitation of her beautiful poem.

Enjoy, like I do.

Along for the Ride

Sarah Dessen does it again! All of the books that I've read written by here should all be in literature and writing classes. This one is no different.

Unlike many of the young adult books out there who don't touch on relationships other than within themselves and with a boyfriend or girlfriend, Sarah Dessen explores--in this book especially--troubles with parents. I've noticed that Sarah Dessen talks about and explores divorce between parents, which is so very prevalent in our world today, a lot more than what is common among young adult novels. Let alone the aftermath of divorce.

Auden just graduated from high school looking at practically nothing but her studies. Her mom and dad divorced a few years back. While her dad remarried and is now having another baby with his new wife, her mother is married to her work as a college professor and her little parties she throws with some of her grad students. Everything is about studying and getting into the best college at Auden's home with her mother. But on the spir of the moment decision she takes a summer trip down to live with her dad and new wife, Heidi, and their newborn, Thisbe (what a name right?). Both Auden's mom and dad are rather manipulative, it seems they are consciously unaware of it. Getting Auden to do exactly what they want and making her thing that it is her idea or always getting the last word in.

Auden arrives finding that Heidi, who is normally so happy-go-lucky is completely worn out with her new baby who is constantly screaming, wailing, and not sleeping. Her dad has been no help with the newborn at all, constantly writing and needing his "nine hours of sleep" otherwise he doesn't function (and somehow he had two other kids--Auden and her brother). He's neglecting his wife and child and doesn't realize it.

Auden starts helping out, not only studying all the time for her college classes. She gets a job at Heidi's shop on the beach to get away from the screaming newborn. Here she is surrounded by squealing, giggling girls that are also preparing for college/life after high school. She also meets a boy riding on a bike in the middle of the night, a night she was helping quiet the baby down by taking her on a stroller ride by the beach. Of course, more relations bloom and they do so realistically.

That is something that I've truly loved about her books. The relations are all realistic. The problems are realistic. And the characters deal with their problems in ways that would actually work in this situation.

If I can be a writer like Sarah Dessen... They are magnificent books.

Her use of time, where there is a scene and where there is a summary, is masterful. There is one part where you know some hanky panky is going on, but she doesn't hang out there. Enough detail is given that you know what happened, but nothing is truly described (like some of the other YA/Adult books).

My only other warning is some of the foul language they use. It is sparse, but it is there. But that is really my only complaint. I love the way Sarah Dessen writes.